ABOUT This magical spot sees an uplifting display of fireflies gravitating towards the new Range Rover L405. The film resembles a wildlife documentary observing fireflies dancing within the forest canopy. They travel from the deepest woodland towards the city, delicately moving towards the new PHEV L405. The JAM team worked on a total of 37 shots and […]
L405 BLUE HOUR
RANGE ROVER Read More »
ABOUT After exponential growth in popularity since the first race in Beijing in 2014, Formula E has taken bold steps to create its first-ever TV campaign. Co-directed by Ross Taylor (Iris Worldwide) and our very own head of studio Dan Andrew. It was a pleasure to work alongside a hugely talented team at Iris London
ELECTRIC STREET RACING
FORMULA E Read More »
CREDITS JAMVFX Post Production: JAMVFXVFX Supervisor/Lead: Pete YoungVFX Compositor: Matt WilmshurstProducer: Evren OlgunExecutive Producer: Jordan Andreopoulos CLIENT Agency: JWT LondonAgency Producer: Tash BedfordCreative Director: David MastermanCreative: Andy SmithProduction Company: Bare FilmsDirector: Joanna BaileyProducer: Amanda BronkhorstExecutive Producer: Helen HadfieldGrade: Seamus O’Kane https://vimeo.com/710739619
HONEYCOMB
QUALITY STREET Read More »
CREDITS JAMVFX Post Production: JAM VFX Lead VFX/Shoot Supervisor: Mark Robinson VFX Compositors: Pete Young / Mark Robinson CLIENT Agency: Blue Hive Creative Director: Bryn Attewell Agency Producer: Romila Sanassy Production Company: 2AM Director: Steve Cope EP: Nick Crabb Producer: Alice Morris GFX: Matt Birkinshaw CGI: Jean-Louis Billard / Thibault Pierre Grade: Tom Russel Editor: Tim
ABOUT JAMVFX was approached to create an epic scene with the camera floating alongside a nuclear submarine using a 1-minute Animation sequence and 1 camera move. There were 3000 pieces modeled to create the deconstruction of the Submarine. Individual textures were highly detailed and the whole scene was a massive 8k. The lighting was set