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WUNDERMAN
CREDITS Agency: Wunderman Executive Producer: Matt Francis Producer: Greg Nicholls Post Producer: Kayleigh Macdonald VFX: JAM VFX
CREDITS Agency: Wunderman Executive Producer: Matt Francis Producer: Greg Nicholls Post Producer: Kayleigh Macdonald VFX: JAM VFX
ABOUT JAMVFX create this visually arresting title sequence for Russell Owen’s anticipated Horror movie “Inmate Zero” (AKA.”Patients Of A Saint”). In this title sequence we see a journey across architectural plans of St. Leonards Prison. JAM used a mixture of live action ink and fluid plates and CGI blood which were animated to introduce the
INMATE ZERO
RUSSELL OWEN Read More »
ABOUT We are thrilled to have collaborated with Channel 4 Creative to create a dynamic and exciting DOOH graphical sequence for George Clooney’s gripping new TV adaptation of Catch-22. CREDITS Client: C4 CreativeExecutive Producer: Fiona WrightProducer: Shizuka HataDirector: James ChambersPost House: JAM VFXFlame Artist: Mark RobinsonVFX Producer: Jordan Andreopolous
CATCH 22
4CREATIVE Read More »
CREDITS Producer: Cressida Ranfield Director: Jon Yeo Agency: ITV CGI Artist: Alex Polo VFX Supervisor & Lead Flame Artist: Mark Robinson Post Producer: Layla Testi
EMMERDALE PROMO
ITV Read More »
ABOUT Conventional wisdom tells us that sticks and stones might break your bones but words will never hurt us. In the dangerous world of modern media Piers Morgan and Susanna Reid shrug off great anvils of type and digital nasties without even breaking their stride. It was a pleasure to work with the ITV creative
GOOD MORNING BRITAIN
ITV Read More »
ABOUT The brief for Colony was to create a series of beautiful matte paintings with a cinemagraph like feel to act as a bed for the promo captions as well as use as individual idents. NBC came up with the concept of a split animation for the typography and wanted to carry this through in
COLONY
NBC UNIVERSAL Read More »
ABOUT JAM VFX are pleased to have worked on NBC Universal’s City of crime season creating stand alone idents, promos, inserts and bumpers for its channel 13th Street. The premise for the campaign was to create weapon related photoreal CG objects and composite them into real city live action vignettes, carefully matching the scale and
NBC UNIVERSAL
CITIES OF CRIMES Read More »